In Martha Quest, people seemed locked in roles which cause them to act in ways that have nothing to do with their real feelings or their real selves. At the beginning of the novel she is on a farm in South Africa with her parents. There is a brother, little mentioned, because he was sent away to a good school though she is a reader and he is not. She is in a battle with her mother who tries to control her life, and also has all the typical English attitudes about native Africans. Her father simply wants to avoid conflict. Her only real relationships are with the two sons of a Jewish shop keeper, who is fairly isolated in the area because of his Jewishness. They lend Martha books and her association with them seems to be what allowed her to form opinions about the equality of people that are different from those of all the others around her. Her opinions are intellectual, however, and don't prevent her from feeling prejudice, and, in this book, she does not act on her ideals.
What she does do is to finally break away from her parents, at the age of 17 or 18, helped to do so by Josh who arranges a job interview with his uncle, and moves to town and a job as a secretary. In the middle of discovering she is not really qualified as a secretary, and beginning to take classes to improve, she becomes part of a crowd that spends a lot of time at the sports club. Again there is the disjoint between who she really is, and the roles she plays in this group. In a short period of time, she drifts into three or four different relationship with people whom she doesn't really like. At the end of it at age 18 she is getting married. A few days before her fiance has asked if she really wants to go through with it, and she feels a sense that there is no stopping it, she knows she will get married. At the same time, a small voice inside her is telling her that she will not stay married.
The point of view of the novel. It is third person, and, but though it stays in Martha's head, it seems to be of someone reflecting back on Martha rather than in the moment. Sometimes you see the current Martha and this other person's thoughts side by side, with the other person commenting on Matha's actions Martha, herself, has an inner voice, the real Martha, so in a sense there are three voices: Martha in her role; the real Martha; the future (also real) Martha - I'm guessing on the last
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mohamed ibrahim sherif